Saturday, December 24, 2016

Family Matters Christmas episodes

I was a big fan of Family Matters when I was a kid. Now, "big fan" is one of those terms that has become watered down through overuse, to the point that one can express overpowering disgust for something merely by saying one is not a "big fan" of it. ("I'm not a big fan of Adolf Hitler.")

So I want to be clear: I was a very big fan of Family Matters when I was a kid. I used to record every episode on VHS (not because I missed it when it aired, but because I wanted to be able to watch it repeatedly), and I once set myself the challenge of going more than a day without doing a Steve Urkel impression. I almost made it.

This show might take the cake among sitcoms that jumped the rails of their original premises. Everybody knows how Fonzie jumped over a shark on water skis, but Happy Days more or less stayed true to its roots. Here was a thoroughly conventional, no-frills family sitcom featuring a middle class Chicago family full of people so salt-of-the-earth they gave the Cleavers a run for their money. When Steve Urkel joined the show halfway through the first season, it was no great upheaval at first; there was plenty of room in the cast for a wacky neighbor.

But when Urkel built a fully functional robotic version of himself in season three, there was no denying they were moving in an unusual direction. He would go on to invent so many other impossible devices that, by the eighth season, Carl Winslow would brush off Urkel's time machine as "no big deal." Apart from the sci-fi misadventures, the Winslow family had far more than its share of life-or-death crises. Whether falling through the ice on a frozen lake, defusing a bomb inside the console of a treadmill, hanging for dear life from a defective fire escape, or landing an out-of-control plane, these suburbanites did not want for excitement.

As much as the world loved Urkel, I think Carl was the real reason to keep tuning in. He was hands-down the best TV dad in the business, flawed and occasionally short-tempered but invincibly decent. And he had a hell of a singing voice:

Actually, the whole family sang at the end of most of the Christmas episodes, led by Telma Hopkins as Aunt Rachel, who never passed up a chance at a musical number. I can't find any decent videos, but they were all pretty talented (especially the invisible choir that would join in for the second verse). There were a total of seven Christmas episodes, which makes one for every season except the first and third. I remember some of these better than others, but I'll see if I can't find something to say about them all.


S2 E13: Have Yourself a Very Winslow Christmas: Richard Correll, 1990
IMDb rating: 7.2 out of 10

This was the episode where Urkel proved the existence of Santa Claus to the doubting Winslow family. When his parents ditch him with Uncle Cecil over Christmas vacation, Steve plans to spend the holidays with the Winslows. But after he breaks Laura's favorite antique Christmas tree ornament, she orders him to stay away. Meanwhile, Carl is stuck jingling all the way to try in vain to find a Freddie Teddy toy for Aunt Rachel's son, Little Richie.

No, no. Little Richie.

Laura eventually forgives Steve and invites him back to the Winslow house for Christmas. He expresses his gratitude by waking the family up at 5:30 a.m. to see what Santa has brought. Little Richie discovers a Freddie Teddy doll that no one can account for. Quod Santae demonstrandum.


S4 E10: It's Beginning to Look a Lot Like Urkel: John Tracy, 1992
IMDb rating: 8 out of 10

When Steve once again breaks something valuable, Laura chews him out and tells him she never wants to speak to him again, and that he can't guilt her out of it by moping and making the live studio audience go "awww." Enter Laura's guardian angel, T.K. Carter from Good Morning, Miss Bliss, who shows her what the world would be like if she and Steve switched places.

This gimmick manages to combine two reliable sitcom standbys: a changing places story and an homage to It's a Wonderful Life. Mostly it's an excuse to let Kelly Shanygne Williams do her impression of Urkel (which is excellent), but it also gave Jaleel White a rare opportunity to talk in his normal voice. Later, he would transmogrify himself into Stefan Urquelle whenever he wanted to do that. After Laura walks a mile in Steve's moccasins, she returns to her normal life with a better understanding of what it's like to have an unrequited pathological obsession with your neighbor. I can't help feeling that the angel is a little hard on Laura in this episode. Steve Urkel is pathetic, but there's a limit to anyone's patience.


S5 E11: Christmas Is Where the Heart Is: Richard Correll, 1993
IMDb rating: 7.7 out of 10

Finally a Christmas episode that doesn't revolve around breaking precious objects (though I think at least a few things did get broken incidentally along the way). Instead, Carl and Urkel get trapped on a subway during a power outage. That's similar to the Boy Meets World New Year's Eve episode, but even though Steve has to try to brighten the other passengers' spirits, he doesn't call anybody "buckers."


S6 E11: Miracle on Elm Street: Richard Correll, 1994

IMDb rating: 7.7 out of 10

Eddo Winslow accidentally throws out a favorite old doll of Laura's, and she is devastated. Steve makes things right by wandering around a city dump until he finds it. Meanwhile, after the Winslow adults impress upon Little Richie the importance of doing acts of charity, Richie invites a transient named Ben to spend Christmas with them. Ben reveals to Carl that he is really Santa Claus and has been in search of a family that understands the true meaning of Christmas. Having done so, he goes back to the North Pole. Carl thinks he's delusional, but when a beloved toy from Carl's childhood inexplicably appears under the tree, Carl realizes Ben was for real.

Okay, but why did Santa want to find the perfect family? What did he accomplish? Let's move on.


S7 E11: Fa La La La Laagghh!: Richard Correll, 1995
IMDb rating: 7.2 out of 10

Why the heck did they give it that title?

By this point, Urkel is living with the Winslows. Carl refuses to let him put up his ridiculously ornate Christmas decorations, but he changes his mind when he hears about a neighborhood house-decorating contest. When Steve's animatronic decorations malfunction, Carl has to resort as dressing up as Santa Claus and sitting with Steve in a sleigh on the roof, eventually causing the roof to collapse. I can remember at least two other episodes where someone fell through the Winslows' roof. Family Matters outdid even Home Improvement when it comes to gratuitous property damage.

Another major staple of the series was food fights, so it's fairly remarkable that Mother Winslow's famous gingerbread cookies, which anchor the B-plot of this episode, do not get thrown at anyone.

And you know, I've always thought Carl Winslow would make a good Santa, and I'm not just saying that because he's overweight.


S8 E13: It Came Upon a Midnight Clear: Gregg Heschong, 1996
IMDb rating: 6.9 out of 10

Steve and Carl spend this episode lost in the Wisconsin woods while looking for a tree, until Steve's knowledge of astronomy guides them to safety. Back in Chicago, Laura has to choose between her ex-boyfriend and Stefan Urquelle. In case you find this confusing, let me explain that by this point in the series, Steve Urkel's alter-ego Stefan was a separate person, created by Steve's duplicating machine. I hope that's cleared that one up.


S9 E11: Deck the Malls: Gary Menteer, 1997
IMDb rating: 7.5 out of 10

I'm not sure if I've ever seen this. I definitely don't remember it.

And that's disappointing, because the description of it on Wikipedia specifically mentions Urkel's long-term girlfriend, Myra Boutros Boutros Monkhouse. She was one of many secondary characters I haven't had the opportunity to mention here, which is too bad. Waldo Geraldo Faldo, Lieutenant Murtagh, and school janitor Mr. Looney (that's "Loo-NAY"; it's French) are also worthy of more space than I'm able to devote to them.


Well, that was exhausting. But I can say unequivocally that this entire series is

Thursday, December 22, 2016

Boy Meets World Christmas episodes

This is one of those shows that seems to inspire more nostalgia today than it ever did enthusiasm when it was on. I watched it and liked it, yes, and I'm sure a lot of other people would say the same, but did anybody love this in 1996? It was obviously successful enough to stay on the air for seven years, but the reverence in which it's held today was not in evidence at the time.

Not that it doesn't deserve the accolades. Boy Meets World was an exceptionally good coming-of-age sitcom, up there with Happy Days and The Wonder Years. (It seems to me that most coming-of-age series take place in the past, which probably bears some relationship to the inherent nostalgic appeal I just commented on.)

The series creator Michael Jacobs seems to have made a specialty of this sort of thing. Boy Meets World premiered just a few months after the cancellation of Jacobs' previous show, the soulful and underrated The Torkelsons. Cory Matthews, in his awkward likability and adolescent earnestness, took after Dorothy-Jane Torkelson, and Mr. Feeny was the Ivy League equivalent of the genial, grandfatherly Boarder Hodges, whose subtle wisdom provided the obligatory moral of many an episode.

(I bet the previous paragraph constitutes the most effusive praise ever uttered about The Torkelsons, and you know, I'm satisfied with any superlative I can achieve.)

Boy Meets World took the coming-of-age business very seriously, even going so far as to compress Cory's six-year middle and high school career into four seasons just to make him come of age faster. I think that was a big mistake, especially since the college episodes are so inferior to the high school seasons. (And yes, I know some people hold the preposterous opinion that the college episodes are the best of the series.)

At the same time, the characters all went through major personality changes: Cory went from troublemaker to insecure teenager to 90-year-old college student; Topanga went from latter-day flower child to all-American girl next door to sanctimonious buttinsky; Shawn went from airhead to tiresomely sensitive soul; Eric went from girl-crazy to dream-hunk to blithering manchild; younger sister Morgan transformed into a different actress; and Mr. Turner, Mr. Williams and Minkus just disappeared. The only constant was George Feeny, who dispensed words of wisdom year in and year out.

But I'm supposed to be talking about the holiday-themed episodes. There were several of these, and I'll cover all the ones I can think of.


S1 E10: Santa's Little Helper: David Trainer, 1993
IMDb rating: 8.4 out of 10

I couldn't tell you how they came up with the title for this episode, unless they were just thinking of the Simpsons' dog. I assume the "helper" is Cory, who tries to bring good cheer to Shawn by giving him a Christmas present after Shawn's dad gets laid off. He learns a valuable (albeit somewhat rushed) lesson about the difference between doing a good deed in the expectation of gratitude and doing it with no possibility of taking credit.

Actually, maybe Santa's Little Helper is George Feeny:


S3 E10: Train of Fools: Jeff McCracken, 1995
IMDb rating: 7.8 out of 10

I'm cheating with this one, because it's really a New Year's Eve episode. But it aired in the middle of December, and besides, when will I ever have a chance to talk about this?

Eric Matthews has somehow managed to get a New Year's Eve date with a teenage supermodel called Rebecca Alexa, played by 30-year-old former Miss Universe laureate Angela Visser. Eric and Rebecca have the misfortune of sharing a limo with Cory, Shawn and Topanga, and the further misfortune that the limo turns out to be a hearse. (That's kind of a tired joke, isn't it?) This forces the gang to resort to the subway to get them downtown in time for the big party. Rebecca Alexa ditches Eric when she discovers how desperate he is to be seen in public with her, which is a weird plot development.

They spend most of the episode stuck on the train due to mechanical problems. This is what's called a "bottle episode" (or so I'm told), where they make as much use as possible out of one set. Shawn has to recruit a pizza delivery man to help deliver a baby in an adjacent car, some guy keeps saying the word "par-tay," Topanga desperately tries to keep up spirits by calling people "Buckers" (and then immediately pointing out the ridiculousness of calling people "Buckers"), and Eric disguises himself as Steve Jobs:

There was a B-story in this episode about two of my favorite characters, Jonathan Turner and Eli Williams, trying to enjoy a bachelor's night in and being interrupted by Jonathan's exes. According to a DVD commentary, these characters were introduced in a self-conscious effort to appeal to 20-somethings. I guess it didn't work. (And I guess the cat's out of the bag now: yes, I have listened to the Boy Meets World DVD commentary tracks.)


S4 E10:Turkey Day: Jeff McCracken, 1996
IMDb rating: 7.7 out of 10

Now I'm really cheating, because not only was this not in any way a Christmas episode, it didn't even air at Christmas time. This is unequivocally a Thanksgiving episode.

Well, whatever. No jury will convict me. This is a good episode, mostly because it prominently featured another one of my favorite characters, Frankie—or, as TV.com identifies him, Francis "Albert" "Frankie" "The Enforcer" Stechino. Old FAFTE Stechino was one of the three bullies introduced in season 2, all of whom looked like 1950s greasers and spoke like they'd just stepped out of a Damon Runyon play. But the Faft stuck around after his fellow rowdies had been written out, reconceived as a misunderstood gentle giant with a poetic side. And his dad was Big Van Vader:

This Thanksgiving episode was about the class differences between Cory and Shawn's families, and it was decent. But isn't it weird that Big Van Vader, who played himself and was supposed to be a famous pro wrestler on the show, would live in a trailer park? I mean, he's not exactly the silver spoon type, but he must be reasonably well to do.


S4 E12: Easy Street: Jeff McCracken, 1997
IMDb rating: 7.8 out of 10

I'll just quote you IMDb's description of this one: "Cory gets a job at a restaurant controlled by the Mafia; when Shawn tells him who owns the restaurant Cory quits. Shawn takes Cory's job to earn money for Christmas."

Read that a couple of times. Especially the first sentence, about the Mafia.

Needless to say, Shawn eventually learns that indispensable life lesson that surely every teenager can relate to, namely the folly of associating with mobsters. But can anyone explain to me why Buddy Hackett and Soupy Sales played them?

I'm happy to say that the file name of that photo was "Mafia.jpg".


S5 E11: A Very Topanga Christmas: David Kendall, 1998
IMDb rating: 7.9 out of 10

I don't really remember this very well. After the fourth season, the show became more and more committed to bludgeoning its audience with the eternal cosmic significance of the relationship between Cory and Topanga, and I recall this episode as typically heavy-handed. I always found this love story particularly uninspiring. I liked Cory and Topanga individually, but what were they supposed to have seen in each other? They were one of those couples that seem to bring out the most irritating in one another. The irony of it is that I'm sure we all had high school friends like this in real life, who got into a serious relationship and then bored us to tears by endlessly dwelling on it.

Aw, all right, I guess they're not so bad.


S6 E11: Santa's Little Helpers: Lynn M. McCracken
IMDb rating: 8 out of 10

The main story in this episode was some boring thing about Cory ruining Shawn's relationship with his girlfriend Angela (who was 29 years old in real life—would you have ever guessed that?), but what was more interesting was the secondary plot about Eric and an orphan kid named Tommy. This time, I'm almost certain it's Eric who's the little helper:

Oh, Helpers this time? I don't know then.


I think that's all. I've really stretched this one as far as it will go. It was a great show, and I guess over all I would call these episodes

Monday, December 19, 2016

Doug's Christmas Story

Paul Sparagano and Myrna Bushman, 1993
IMDb rating: 9.1 out of 10

For the past four years, I've attempted to post as many Christmas movie reviews as I can during December. The first year, it was easy to find material. Everybody remembers The Santa Clause and Home Alone. But every year it gets a little bit harder. Yes, there are plenty more out there, but the effort required has increased.

So, this holiday season, rather than shovel ever deeper into the garbage heap of obscure Hallmark Channel Christmas movies, I've decided to do something a little different. I'm going to review all the world's most important Yuletide-themed TV episodes. Next year, it's back to the shovel.


Doug was a pillar of American culture during my childhood. Douglas Yancey Funnie was a kid everyone could relate to: conscientious, friendly, imaginative, bald, lacking in self-assurance but always willing and able to do the right thing. And like most children, he wore a green sweater vest and khaki short pants every day of his life. The show is obviously fondly remembered, as the IMDb rating for this episode attests.

Aside from the Funnie family, the town of Bluffington was peopled by a memorable cast of multi-colored characters: Doug's gadget-loving, spendthrift neighbor Mr. Dink and his long-suffering wife Tippy; blue-blooded Beebe Bluff and her doting father Bill; no-nonsense assistant principal (and Don Knotts impersonator) Lamar Bone; oddballs Al and Moo Sleech and their dad the doughnut maestro. And of course there were Doug's schoolmates, including Patti, Roger Klotz, and Skeeter.

But the focus of the Christmas episode was Doug's best friend (non-human, that is), Pork Chop the Dog. During a game of pine cone hockey on a frozen lake, Pork Chop rushes to the rescue to prevent Beebe Bluff from falling through thin ice. Beebe doesn't understand the danger, and Pork Chop can't talk, so he has to resort to the emergency measure of biting Beebe on the ankle and dragging her to safety.

Oblivious to Pork Chop's benign motivations, Bill Bluff presses charges against him, and Doug's cries for due process fall on deaf ears, as the apathetic Bluffingtonians refuse to lend any support. The outlook is grim for poor Pork Chop, who faces a hanging judge and a crusade by radio host and former mayor Robert "Bob" White, who makes the trial his cause célèbre, seeking to win back City Hall by clamoring for the death penalty. The prosecutor is likewise out for blood, and she calls an expert in canine psychiatry to paint Pork Chop as a slavering brute.

This is all pretty intense for a Christmas episode of a kids' show. I'm not kidding about the death penalty—there's even a fantasy sequence where Doug pictures Pork Chop's headstone. It's especially disturbing since Pork Chop is basically a human being: his dog house has a refrigerator and a television; he clearly understands English and knows how to read and write; he once held down a summer job doing yard work; and in one episode he even manages to say "hello" over the phone. But one bite on the ankle and he's headed for death row. And he doesn't even have benefit of counsel, human or otherwise.

Fortunately, Doug musters up his inner Clarence Darrow and persuades the judge not to pass sentence until visiting the scene of the crime. There, remarkably, history repeats itself when Beebe tries to reenact the events of the fateful day. Pork Chop has to save her for a second time, this time going so far as to plunge into the Stygian lake after her. The tide of fickle public opinion turns at once, and the townspeople who moments ago wanted his head now cheer for Pork Chop. "The greatest hero Bluffington has ever known," Bill Bluff calls him.

A giant and a saint walked in that four-legged body. And we, who tread in his pawprints, are the richer for it, and the better, and the wiser.